[1]孔宇航,辛善超,张楠.转译与重构——传统营建智慧在建筑设计中的应用[J].建筑学报,2020(2):23-29.
KONG Yuhang,XIN Shanchao,ZHANG Nan.Transformation and Reconstruction: The Application of Traditional Wisdom in Architectural Design[J].Architectural Journal,2020(2):23-29.
[2]五十岚太郎.建筑日本:现代与传统[M].桂林:广西师范大学出版社,2021.
Taro Igarashi. Japanese Architecture: Between Modernity and Tradition[M]. Guilin:Guangxi Normal University Press,2021.
[3]内田祥哉.建筑构法[M].东京:市ケ谷出版社,2007.
Yoshichika Uchida. Architectural Construction Methods[M].Tokyo:Ichigaya Shuppansha,2007.
[4]陆少波,李一纯,平辉.向筱原一男学习访谈:长谷川豪&柳亦春&郭屹民[J].南方建筑,2013(5):33-41.
LU Shaobo,LI Yichun,PING Hui.Learn From Kazuo Shinohara Interview: Go Hasegawa & Yichun Liu & Yimin Guo[J]. South Architecture,2013(5):33-41.
[5]Gibson, J. J. The ecological approach to visual perception[M]. Boston: Houghton,Mifflin and Company, 1979.
[6]隈研吾.建筑的声音[M].北京:新星出版社,2017.
Kengo Kuma.The Sound of Architecture[M].Beijing:New Star Press,2017.
[7]隈研吾.反造型[M].南京:江苏凤凰科学技术出版社,2018.
Kengo Kuma. Anti Object[M]. Nanjing:Phoenix Science Press Ltd,2018.
[8]隈研吾.负建筑[M].济南:山东人民出版社,2008.
Kengo Kuma. Defeated Architecture[M].Jinan:Shandong People’s Publishing House,2008.
[9]张波,张早.“可爱”的建筑——亚文化视角下的日本当代建筑管窥[J].建筑师,2017(3):130-135.
ZHANG Bo,Zhang Zao. Kawaii Architecture: Contemporary Japanese Architecture from the Perspective of Subcultures[J]. The Architect,2017(3):130-135.
[10]隈研吾.隈研吾:材料让建筑“消隐”[J].城市环境设计,2010(6):39-40.
Kengo Kuma. Materials Make Architecture “Dissolved” [J]. Urban Environment Design,2010(6):39-40.
[11]Kengo Kuma. Kengo Kuma and Associates [EB/OL]. (2021-05-01)[2025-01-10]. https://kkaa.co.jp/en/project/
[12]堀江亨. 指物の配置と荷受けからみた民家の軸組類型: 指物(指付け技法)の変遷過程と歴史的木造架構の類型化に関する研究(その1)[J].日本建築学会計画系論文集,2016,81(726):1665–1674.
Horie,T..Framework typology of traditional houses based on sashimono placement and load-bearing: A study on the evolution of sashimono (sashitsuke technique) and the classification of historical wooden structures (Part 1).[J]. Transactions of AIJ. Journal of architecture, planning and environmental engineering,2016,81(726):1665-1674.
[13]松井郁夫.日本列島伝統構法の旅[M].东京:ウエルパイン書店.2020.
Ikuo_Matsui. Traditional Building Techniques of Japan: A Regional Survey[M]. Tokyo: Welpine Bookstore.2020.
[14]史永高.材料呈现:19和20世纪西方建筑中材料的建造-空间双重性研究[M].南京:东南大学出版社,2008.
SHI Yonggao. The Presence of Material:Research on Material's Constructional and Spatial Properties in the 19th and 20th Century Western Architecture[M].Nanjing: Southeast University Press,2008.
[15]隈研吾建築都市設計事務所. 呉市音戸市民センター[含インタビュー:粒子から全体を構成する,農業的モニュメンタリティ][J]. 新建築,2008,83(4):90-101,219.
Kengo Kuma & Associates. Kure City Ondo Civic Center [including interview: Constructing the Whole from Particles, Agricultural Monumentality][J]. Shinkenchiku,2008,83(4):90-101,219.
[16]隈研吾.東西アスフアルト事業協同組合講演録私の建築手法[M].东京:東西アスファルト事業協同組合,2011.
Kengo Kuma. Symposium Records of the East-West Asphalt Industrial Cooperative Association: My Architectural Methodology[M].Tokyo: East-West Asphalt Industrial Cooperative Association,2011.
[17]株式会社藏家. 大和張り(やまとばり)でできた塀とは?木の家に合う大和塀についてのご紹介 [EB/OL]. (2022-09-01)[2025-01-10]. https://kura-ya.net/other/yamatoheitoha
Kuraya Co., Ltd.. What is a wall made of yamato-bari? Introduction of yamato fence suitable for wooden house [EB/OL]. (2022-09-01)[2025-01-10]. https://kura-ya.net/other/yamatoheitoha
[18]肯尼思·弗兰姆普敦.建构文化研究:论19世纪和20世纪建筑中的建造诗学[M]. 北京:中国建筑工业出版社,2007.
Kenneth Frampton. Studies in Tectonic Culture:The Peotics of Construction in Nineteenth and Twentieth Century Architecture[M].Beijing:China Architecture & Building Press,2007.
[19]隈研吾.隈研吾的材料研究室[M].北京:中信出版社,2020.
Kengo Kuma. Kengo Kuma:a LAB for materials[M].Beijing:CITIC Press,2020.
[20]孙婷,李凌洲,孔宇航.传统木造现代重构的可能路径——从隈研吾梼原木桥博物馆的建造逻辑与形式表达展开[J].建筑师,2023(4):64-72.
SUN Ting,LI Lingzhou,KONG Yuhang.The Path of Reconstruction of Traditional Woodworking: The Construction Logic and Formal Expression of Kengo Kuma's Yusuhara Wooden Bridge Museum[J].The Architect,2023(4):64-72.
[21]Gruber, Jeffrey S. Lexical Structures in Syntax and Semantics[M].New York: North-Holl and Publishing Company,1976.
|